More book series is the cornerstone of the fantasy genre. Many causes of this common model of fantasy, including tradition, readers and publishers demand business models.
The very nature of most fantasy stories require more than one book to completely tell. An epic is not a short and simple thing. A story that the famous Lord of the Rings by JRR Tolkien would be a trilogy of books. This trilogy is defined much fantasy genre and created areaders with an appetite for long adventures that spanned multiple volumes. Besides Tolkien, comes from the roots of fantasy pulp publications of the 1920s and 1930s, when writers such as Robert E. Howard, creator of Conan, made a deep mark on the fantasy genre with an epic hero who delighted readers with many adventures released over time in the magazines. Another notable 20th century fantasy writer was Edgar Rice Burroughs, who wrote the Tarzan and Mars Chronicles. AllSuch early writers fantasy contributed to expectations of stories that are important and enduring stories.
Usually fits several book series fantasy genre good because when readers find an author, characters, cast of characters and fantasy setting that they have the naturally want more of the same. Other genres, especially mystery, also share this ability to adapt to the series.
Long fantasy series is also attractive to publishers. To begin with, whenThe author recognition was established, it is easier to market more works by the same fantasy writer, instead of constantly introducing unknown author new fantasy books. As a fantasy writer achieves a hit book, it is almost mandatory for authors to continue the story in a series, allowing for more books. This model works great for publishers, because the subsequent novels in the fantasy series require decreasing amounts of marketing dollars, as the author's name recognitionand a reader base has been established.
Under these circumstances, it seems the long series of fantasy book is a win-win situation for readers and publishers. Fantasy readers will have many books to enjoy and publishers may sell more books. A problem arises when this model gets stretched. Success inevitably leads to the temptation to push the boundaries of the business model. If a story could be told as well as five books, so it stretches out to seven books can work for, right? Maybe, maybeNo. What started out for the reader as exciting reading can gradually give diminishing returns with no end in sight.
For my part, and probably other readers, I believe that no matter how much you enjoy a story, you still want it to stop. Readers will learn what happens to their favorite characters. They want to find out how the bad guys lose, or if they lose. Using the terminology of narrative, a story is supposed to bend. It begins, ladders, and then down to oneconclusion that hopefully satisfactory to the reader. While Odysseus made his way home after 20 years.
Another problem that may occur with Fantasy series is the long wait between novels. Writing novels definitely takes time, but when a book is written to satisfy the cravings of a business model instead of telling readers a story so that future years continue to stretch the reader to go out and learn what the last thing eventually happens. Of course, this problem has been liberated fromReaders who start a series that has already been completed and all the books, including the last book will be published. Therefore, older fantasy series to appeal to both readers and publishers. Readers can read the entire story without long waits and publishers can continue to sell the series in the coming decades.
Until a class is closed, but readers caught in developing countries run must wait for each installment. Right now many fantasy readers awaiting the next book in George RR MartinSeries Song of Ice and Fire. This is a very good series and I was busy the first three novels, and threw the fourth book when it came out in 2005, but because I felt that something had changed. Martin fourth book, was a feast for Crows introducing new subplots and left everything that was exciting about history in a holding pattern. All the interesting characters and stories were left hanging until probably the fifth book. I had the distinct feeling that Islow play. Of course it was the fourth book compelling enough to leave me, who wants the fifth book, but now I'm on guard. If the next book in the series have not yet met, I may lose interest in what was a fantastically well-written epic of truly large scale in the first three books.
How many books will be a series? At what point is an epic fantasy switch from exciting to boring, because storytelling has been undermined by the company needs more milkbooks out of the concept? The answers to these questions are subjective. A series that draws on some readers may be sufficiently interesting for other readers. Fantasy book series is a good business model for publishing, but all systems have their limitations. Publishers are certainly smart business people, and I am sure that they run the numbers and produce the number of books that will earn the most money. In essence, in my view is that greater emphasis should be given for good storytelling instead ofStretching successful series unnecessarily just to sell more books. If a great epic can be told in six volumes, so do it and not spread it out over twelve books.
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